Las óleos de todo Enoch Seeman


ID Image  Painting (From A to Z)       Details 
88880  
Enoch Seeman, Lady Sophia and Lady Charlotte Fermor
 
 Lady Sophia and Lady Charlotte Fermor   oil on canvas 116 x 166 cm cyf
83409  
Enoch Seeman, Portrait of George II of Great Britain
 
 Portrait of George II of Great Britain   . 1730(1730) Medium Oil cyf
84050  
Enoch Seeman, Portrait of John Boyle
 
 Portrait of John Boyle   1735-1745(1735-1745) Medium Oil on canvas Dimensions 62.9 x 50.8 cm (24.8 x 20 in) cyf
96452  
Enoch Seeman, Portrait of Lady Caroline Darcy
 
 Portrait of Lady Caroline Darcy   before 1745(1745) Medium oil on canvas Dimensions 245.1 X 153.1 cm cyf
81162  
Enoch Seeman, Self portrait
 
 Self portrait   1708(1708) Medium Oil on canvas cyf

Enoch Seeman
Enoch Seeman the Younger was born in Danzig, now Gdansk, Poland, around 1694. His father, also Enoch was born around 1661, and the Seeman family were painters. Having been brought to London from his home of Flanders by his father in 1704, the younger Seeman's painting career as we know it began with a group portrait of the Bisset family in the style of the portraitist Godfrey Kneller, now held at Castle Forbes in Grampian, Scotland, and dated by an inscription 1708. As a painter to the British royal court Seeman the Younger completed portraits of George I, in 1730, in the robes of his coronation and of George II some years later. The first of these pictures is held at the Middle Temple in London, England, and the second is at Windsor Castle in Berkshire, England, part of the royal collection. In 1734, Seeman painted a portrait of Jane Pratt Taylor, daughter of Lord Chief Justice John Pratt. The portrait was sent to William Byrd, II of Westover, in Virginia, where it became part of the largest colonial portrait collection of the early eighteenth-century. The painting is now part of the collection of the Virginia Historical Society. The Yale University Art Gallery owns a portrait of Elihu Yale in 1717 by Seeman and the Metropolitan Museum in New York, USA owns his rendering of Sir James Dashwood, described by the Grove Dictionary of Art as 'Exceptionally lively'. Also by Seeman the younger, Abraham Tucker in 1739 at the National Portrait Gallery in London, England, and various copies of sixteenth and seventeenth century portraits. The National Trust owns two examples of this set of his work - at Dunham Massey in Cheshire, England, a copy of a portrait of Lady Diana Cecil, and at Belton House in Lincolnshire, England, of Lady Cust and her Nine Children.



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